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N EXHIBITION: Opening reception Oct. 5 L oRTHub £ERraup 300 4yg,g 20f/ 3 £ COLBORNE â€"â€"â€" Barbara â€" S a cU o _~ S imry C e T ,.> t Buntin‘s trip to the Yukon late " y A » lne, \ esn ¢.49"¢8 es * . /s M last autumn informed the art * a h Wl h l § works for an upcoming feature o w + h P d l < exhibition at the Colborne Art "Time. ® y PA \,, M * * Gallery entitled Off the Map. . 7 P i > 4 The title refers to both geogâ€" s * raphy and process. Buntin says of her work, "I _ M l i ul + seek to create resonance with a , . the viewer through images of h / | the human figure, blending. [ F 3 elements of the surrounding . [@@ $ landscape for a transformative f i effect." C a She often represents the figâ€" r ure with a reference. to the 3 M 8 | landscape we pass through. So, iz e 'f H when Barbara received a grant L' N y * l from the Ontario Arts Council N Â¥ ® National and International fa \ Residency Programme that ho is e I allowed her seven weeks to h meaguls breathe the Arctic air she h 3 l ea C jumped at the prospect for ‘\ ~ 8 change in the work. She intenâ€" \ \ \)?\ f L â€" c tionally chose a time that proâ€" l sls 35. y P uo vided an opportunity to take in :}. hk C3 9m â€" ir f i i the change of season from fall i A S k ask 4 h. * s to winter. C \ geycâ€" , iiltinnuin.. m» hoi / e P $ ts > C «l 1 s ~ e Through dher art, Buntin A ea \\\J‘ $ : on C N . }"f‘:‘wfvi attemptsâ€"to describe a connecâ€" t °C W C aiitwalon . ... is C P e ts . s v * N tion to the earth, to work from . :9k \E:?&‘ <« * mm D*\ B c waee <t * ‘r. f'“L’ an experience rather than from _ |®=@P ~wwi Pal s \k. " SE «J } y ~XYÂ¥. p _ * ~.$~ "a‘ observation. She has been ifijfi- t N Pss m ee | ; m P, TK C * ',F' iftnact ol inspired by a particular line _ W e J 2o ® Jea -‘J’i‘fl:: Ns V e __ "TA *A Z_-_-__,. "f.' ty C l from Rumi ("When the ocean _ | BM ex" s uJP Oe Y » J m M s ripingaaaa aoainaiass ~â€"=_ > _ â€"â€"1 I surges, don‘t let me just hear ~ 'r- P P " n ipiienme. C it. Let it splash inside my x ty JES) .7 Bc > «?\%fi_"‘;\;m a C chest!") and was interested to . [IMIMA Sicaen * i io ctv _ Câ€"toall h. ~© > im _ i explore such an effect from C apmpfess~ â€". ~â€" i‘('-"{",_'f’{:iâ€":{d\fi-_kt-finh_‘? mole entiins .. rmtitiers ) : Sm o this new landscape that took ) e e sns C on <o s ssaeenaaiel her out of familiar territory. i oood oo on eoo Lelmeediieneimiieen dn o n on e t 61 ar et o +m oo h n reme o ronrneemmnier e oo m sn omnmnamnememnetemmemee nal. - is In Barbara‘s words, "I conâ€" & i . ; ioi it in Feniaiee . biccritiatn waa tinue to portray the human figâ€" -& it hn ie t L l l0 io d ic i c pnaat t w ure, but I‘m striving for a simâ€" P q o tink 08 43 EoN oc 1 w0 in onneiiinens ons . onaintnbt h in + »‘51".»‘4"“ ds "&‘}f N3‘ o hep ce o en amerne yar t ) es s Hinhaiernprtsaratepememeniiinpni n in ... 1J l ul l e en ‘The Yukon landscape may . P@@i@@e “'P‘. Htrals Anart + \ 'u'{'fi\fl :-;“:-.‘,i;,\â€"‘-l;{ “.t;v_:‘.":';!?% :‘;;, wtiger A,’Sf““ r.’m»’f.,': 8 ‘I_L““; ?a*”*wfi“?-fikfi‘-"'iifi.' ,\'"‘."\yj‘é: ,1 not be immediately visible to _ @@AAta mie o olp > M t ie hok “S; (paulcul s mm onel® 1 t 4 S en . 1 uo hk o Â¥RCT #y‘. ysnt oc others in these figures, but I F’;"' a ;fl:;* b U MA ereyiar t NMAEAT 70 .»J,.}_;,‘/f_“ Oc on r"E t Un + Pn o. s es fuwm) > f “'\fi;:.‘,"{,y Al can see the influence emergâ€" f*_,;"r. at * it aly oo t Om t y 1. i aeiae h Aelaeame l K "To 11 ing. There are references to the Submitted Photo :,r:; i’l{o‘u“,fmfr‘{:‘ ‘tflgefjfitriZQ:}; Seen hard at work, Barbara Buntin will have an exhibit called Off The Map at the Colborne Art Gallery from Oct. 5 to Nov. 10. :ngfvflieac‘iiet?nsgfijs lg}gff: gtf ~ the natural world." her own. printed work. She her northern retreat time, but and continues through Nov. . All are welcome to attend. _ the 'n’ver ands an®untense Barbara works with layered _ nearly _always depicts. the ~also discovered other surprisâ€" _ 10, along w_ith works by ‘other Fortl{lnZl;fit:gfgzr:;u:l?érwig silence and solitude. I hope to monoprint and collage techâ€" human figure. She expected ing and diverse paths. galle{y amsts.. There is an | WWwwIns 8 Â¥ infuse my figures with the perâ€" niques, produced largely on â€" that spaciousness in the pieces Off The Map opens at the opening reception from 2 to 4 _‘ ' Q manence and reassurance of Japanese washi papers, and â€" might be a likely expression of Colborne Art Gallery Oct. 5 p.m. with the artists present. â€"AnnieMcDonald â€" t punsstemmmmenmmmnmmmmmmzeeâ€"â€"â€"